Yo. I haven't been posting much (at all) lately (for about seven or so months). But I have come to life and started re-upping some dead links (Universal Jones, Freddie Mccoy, Carolyn Franklin, Chuck Bridges and Isao Suzuki). Should you find more dead links just drop me a line in the comments and it'll be on my to do list.
I do have some new unblogged treasures waiting to get ripped but I don't have my turntable hooked up the right way as of now. I did however find this rip just laying around on my hard drive and I realized it had not been posted yet. Look at the backcover and you'll know everything I know about it.
Spritual soul, or something like that. I like this record. It manages to be varied while keeping it together, blending a lot of different styles into a whole. I found some youtube clips for your previewing pleasure.
I Like The Things About Me That I Once Despised
Sweet Bird Of Youth
The sound is stripped down for the most part, Wayne on piano, Bernard Purdie on drums and Jerry Jemmott on bass. Richard Tee, Richard Davis, Roberta Flack, Eugene McDaniels and Carrie Cole also participates. If your musical taste is anything like mine you won't want to not hear the 11 minute funk freak-out that is Joel 2:28. 1973, Atlantic Records.
A rare piece of instrumental funk that I picked up the other day at a flea market. I picked it up because I noticed Super Fly and Cisco Kid on the back cover. Turns out the whole album is mostly made up of raw breakbeat-funk with some fuzzy guitar, organ and horns. There's a definite library-funk vibe in here. I'm not sure what the story is with this record, there is no mention of musicians or producers/arrangers.
Only six minutes, or so, of music this time around. I didn't really feel the need to rip the rest of this album, but if someone wants it, give me a shout and I'll see if I can get around to it some time. Though unless you're into traditional arab music, you're not missing out. This track, however, is something fans of this blogs musical direction should check out. It's the swedish band Solar Plexus (Monica Dominique on organ, Carl-Axel Dominique on elec. piano, Bosse Häggström on bass and Tommy Slim Borgudd on drums) laying down a funk-rock-arab instrumental. Peep it!
Oh yeah, Bahi Barakat is on Tablah and Abdo is playing the Lute (I think). There's something you haven't heard before; funk with lute.
This record looks like it could be really lame but I don't think it is. Late 60's soul/funk, most of it uptempo, recorded in Sweden by a group of Mexicans. A cool cover of Cold Sweat with a nice break and a funky rendition of Knock On Wood are my favourites but there are some other nice tracks aswell.
Don't call it a comeback. But yeah, it's been a while. Anyway, here's a funk and soul album from singer-organ/piano/clavinet player Stu Gardner. Released on Volt (Stax) in 1974. For some backstory on Stu, check out this or that. This album has a couple of players in common with the Charles Wright LP I posted some time ago, namely Charles Wright himself, who contributes with some guitar and drummer James Gadson. I found one of the tracks up on youtube.
Soulful, bluesy and groovy. Realeased on GRT records in 1969. You can find some info on Sam and preview tracks from this album over at In Dangerous Rhythm.
Junie, at this time former Ohio Player, soon to be Funkadelic, released this, his first solo effort onWestbound in 1975. The music is varied, some all-out funk tracks and some tracks that reach for a pop-rock feel, but always some kind of funk lurking in the back.
Loving Arms
Tight Rope
There's no mention of other players which leads one to believe Junie is playing a lot of the instruments himself. Strings is provided by The Detroit Symphony who, when they're playing with Junie, is playing funky.
Rance Allen and group released this soulful album in 1972 on The Gospel Truth, a Stax Records subsidiary label. Thomas Allen on drums and vocals, Steve Allen on bass and vocals and Rance Allen on guitar, piano, electric piano and vocals.
There's Gonna Be A Showdown
See What You Have Done
Lovely LP. I love the small group sound. However, since I'm not at all religious the lyrics can somtimes be a little hard for me to relate to, but it doesn't really matter when the music's so good.
Charles Wright, who most people recnognize better when you add the Watts 103rd Street Rhythm Band after his name, recorded this two record set in 1973 for Dunhill records. The fellas playing with him here is Horace Jones, Werner Schuchner, Yusef Rahman, Bobby Knight, Carlos Mercado, Joel Peskin, Joe Banks and others.
Doin' What Cums Naturally
A Mothers Love
The tracks are nice and long for the most part, the longest being the closer, Nonsense which is a nearly 17 minute long funk jam.
The Peddlers have already been introduced on this blog with this post. Here's a track from Three In A Cell, released in 1968 on CBS.
On A Clear Day
This record is a bit different from the other one I posted. For example there's some strings present here, which isn't really consistent with The Peddlers and their small-group style. But it works sometimes. However, I like them best when they leave the strings alone. For a good example, listen to Still Of The Night which is a rock hard jazz-rock tune (not a fusion tune, mind you, but jazz-rock).
Nice funk-jazz-latin music with some rock influences, released on Toniton (in Sweden only, I think) in 1974. Four mexicans, one swede and one englishman.
Someone To Love
Soraya
I'm digging this record very much, hope you will to.
Another Mel Brown record for your asses. This one from 1973, might be his last, I don't know. This, like all other Mel B records I own, was released on Impulse.
Need Love
Stinging Bea
Musically, it's what you usually get from a Mel Brown album, meaning a bluesy, funky and soulful mix, with a very down-home kind of sound.
Good, sometimes funky album by vibes player Gary Burton. Relaeased on the Atlantic label in 1969. Players are Jerry Hahn, Richard Greene, Steve Swallow and Bill Goodwin.
Some Echoes
There's some pretty nice rhodes (played by Gary himself) on some tracks. Listen to above track for an example. Prime Time is another good one.
Myrth has to my knowledge just released this one album, on RCA in 1969. They consist of six members; Grier Cook on guitar and lead vocals, Eay Cork on bass, trumpet, baritone horn and vocals, Johnny Guthie on drums, Ken Mulholland on piano and organ, David Drury on guitar, trombone and vocals and Bob Kenrich on reed instruments and vocals.
Get It Straight
Don't Pity The Man
The sound is diverse and ranges from the breakbeat funk of Myrthiolate to more experimental type tunes like Shed My Skin. The six-minute plus Don't Pity The Man goes through so many changes that when you're done listening you'll think you just heard four tunes, not one. The closer Myrthiadrine is also quite nice drugged out funk.
Funky flute released on Blue Note in 1970. Players are Don Allas on drums, Eddie Gomez on bass, Sam Brown on guitar (on Wayfaring Stranger) and Jeremy Steig on flute.
Mint Tea
The group kicks up a stone groove on four of the tunes and Gomez and Steig kick up a stoned groove (well, perhaps groove isn't the right word) for the other two. The last two tracks have some sounds of vinyl on them. Nothing too bad, just thought I'd mention it in case you're a vinyl-nazi or something.
Live double-LP released on Fantasy in 1973. If The Other Merl Saunders record I posted was mainly a funk record, this one is more versatile, mixing southern soul songs (Like a Road), some kind of free organ jazz (Space), blues, Bob Dylan and Jimmy Cliff covers and, yes, some funk.
Finders Keepers, Losers Weepers
Space
It's No Use
The group consists of Merl Saunders on keyboards, Jerry Garcia on guitar, Bill Vitt on drums and John Kahn on bass, plus David Grisman makes an appearence on mandolin.